Note: The following material ran in a recent issue of the Garden State Speculative Fiction Writers quarterly newsletter, which I edit. Here’s the second part of the piece, along with my original introduction. I’ll be running contributions from the other writers who participated in the days ahead.
Several things inspired me to put this project together. But mainly, it’s because I still frequently encounter the tiresome “nerdy boys club” stereotype regarding speculative fiction writers and readers. The widespread perception that our branch of literature is the domain of emotionally and socially stunted man-children who don’t want icky girls in their club unless they happen to be wearing skimpy cosplay outfits at conventions.
I think it’s important that we speculative fiction writers do everything in our power to help dispel that stereotype, and make it clear that women are a major, vital and respected part of our community. So I reached out to a number of prominent woman science fiction, fantasy and horror authors and editors, and invited them to share their perspectives.
Ellen Datlow has been editing sf/f/h short fiction for over thirty years. She was fiction editor of OMNI Magazine and SCIFICTION and currently acquires and edits stories for Tor.com. She has edited more than sixty anthologies, including the annual “The Best Horror of the Year,” “Lovecraft’s Monsters,” “Fearful Symmetries,” “Nightmare Carnival,” “The Cutting Room,” and “Queen Victoria’s Book of Spells” (the latter two with Terri Windling).
Forthcoming are “The Doll Collection” and “The Monstrous.”
She’s won multiple World Fantasy Awards, Locus Awards, Hugo Awards, Stoker Awards, International Horror Guild Awards, Shirley Jackson Awards, and the 2012 Il Posto Nero Black Spot Award for Excellence as Best Foreign Editor. Datlow was named recipient of the 2007 Karl Edward Wagner Award, given at the British Fantasy Convention for “outstanding contribution to the genre”; has been honored with the Life Achievement Award given by the Horror Writers Association, in acknowledgment of superior achievement over an entire career, and the World Fantasy Life Achievement Award for 2014, which is presented annually to individuals who have demonstrated outstanding service to the fantasy field.
I’ve been editing short science fiction, fantasy, and horror since 1980. When I was promoted from Associate Fiction Editor to Fiction Editor of OMNI Magazine, there was some blowback against me for not emerging from fandom (which was overwhelmingly male and from which most of the sf editors up to that point came). There was some silly talk by a few male writers who criticized the entry of female sf editors into positions of power. These women — again, most of whom did not come out of fandom — were assumed to have had no experience in the genre, although we were all longtime readers of sf/f and we all worked our way up from the bottom.
I’ve been involved more with fantasy and horror than science fiction for a number of years so I’m not as familiar with who is writing what in science fiction these days. But my perception is that fewer writers are writing science fiction at all. Saying that, there are certainly many excellent female writers of science fiction and if a male editor chooses an entire sf anthology with stories only by men it means they just aren’t looking beyond their old boys network comfort zone.